Occasional Verse 11: Bathroom Diptych

Waiting Behind Another Man in a Public Bathroom

If you ever desired the power

to make time pass slowly,

I am exactly that superhero.

Please forget that I’m here though.

Please stop the sideways glances.

I mean you no harm.

Let your mind go to peaceful,

fluid landscapes,

visions of strong flow. 

The story of uncomfortable

meets embarrassed

will soon be over.

Behind You is Another Man Waiting to Use the Urinal

Is this worse than writer’s block?

My plumbing has seized.

Should I just scratch this attempt

and come back later.

I should have taken a stall.

Settle down. You can do this.

There is no issue at stake but time.

Time! Why did you think of time?

How long has it been?

Check out all the work in the Collection: Occasional Verse

The 17/18 Poems 39: The Doing We Are Talking About

the doing we are talking about

the clench 

the cry stifled

the table of strange theatre

and each and all in the night

slowly home I’m saying

confess my head the dirty bit

finger on nail, the hammer

of manner and motion away from a source

of meaning and the matter it makes

of mother-work, the merry and the dead

quite broken, the blacktop, I’m speaking

a turtle’s back

wet asphalt and now the rain

Check out other work in the 17/18 Poems series here.

Occasional Verse 10: Trying to Find Your Underwear After Sex

Do I address the underwear 

or do I address you, 

now naked pair,

whose underwear disappeared

into that oblivion of bed clothes,

as if to say there is no way

to put that apple back on the tree?

Maybe there is someone approaching,

a child that needs sparing,

or a lover betrayed?

But that, of course,

only makes the underwear hide harder.

Could you close your eyes

you might be able to see yourselves

just five minutes before,

in a tangle of elbows and feet, 

pushing your underclothes 

back in time, almost to the first day.

And now the price of that pleasure 

is an eternity of search.

Nothing free in indulgence

is quite free of consequence.

Check out all the work in the Collection: Occasional Verse

Occasional Verse 9: Accidentally Giving Someone the Same Gift Three Times

I just gave my dad

The Wind-Up Bird Chronicle

for the third consecutive Christmas. 

This is enough

to break his waspy resolve. 

He’s called me out in front of the family 

from sheer exasperation. 

I’m shocked.

I can’t tell if it’s worse to be called out the third time 

or not to be called out the second? 

The book is well outside 

his taste: history or spy-fi. 

It was a risk to begin with, 

and I don’t even remember taking it. 

It is the kind of thoughtlessness 

that prevents me from being a good gift-giver, 

or even just average. 

And my father still hasn’t read the book. 

I think if anyone had given me a book three times, 

albeit unknowingly, 

I would have at least cracked the cover. 

Maybe I’m shifting blame here, 

my deficiencies as a gift-giver exposed? 

Maybe I’ll double down next year,

and give it to him a fourth time

starting a game of literary chicken 

that can only end 

in a new pair of running shoes for Murakami.


Check out all the work in the Collection: Occasional Verse

Racists of America Club Note #19: Entropy

Actually, Pynchon of all people has one of the best lines about this. In one of his very few nonfiction writings about his work, he talks about an early short story he wrote titled Entropy. Entropy, of course, is the central Pynchonian metaphor and a concern for all of his mature work, but early on he tried to write a story about it with the word in the very fucking title and he has this great line about it: “The story is a fine example of a procedural error beginning writers are always being cautioned against. It is simply wrong to begin with a theme, symbol, or abstract unifying agent, and then try to force characters and events to conform to it.” -WF

Check out other work in the Racists of America series here.

The 17/18 Poems 38: I feel like a wall now

of what whose habit is

to be by daylight pain,

like a Danish mope.

(I hate patience.)

I hate you,

and hate you in every color.

go chase rain to someone else’s doorstep.

I feel like a wall now.

Something I could shoot arrows off

or pour boiling oil 

all over your square-jawed silence.

May your lyrics try to keep peace

and always cause war

May it hurt when you laugh

May you watch

as the last snowball in hell

melts through your fingers.

Check out other work in the 17/18 Poems series here.

Strange Faces Other Minds 15: another tin woman

I read this poem at Sixfold magazine. The journal has a really interesting submission process. Essentially the people who have submitted poems vote for the best submissions and the top 30 make the magazine. Anyway, this is by far my favorite poem of all the different submissions I read. The user was anonymous, but if he/she ever finds this post. Let me know your name please. …and send me more poems. I love this one!

Check out other work in the Strange Faces Other Minds series here.

Occasional Verse 8: Hearing Your Own Pettiness in the Words of Your Son

As you drive them to practice,

your son tells his friend

that their tennis coach is 

not the sharpest pencil in the box.

He says this with the same smirking condescension

(and cadence!) that you said it with, 

just two days before.

Moreover, feeling his point might have been 

too subtle he says it again.

At which point you interrupt

to correct your son in front of his friend. 

By which your son understands

you are not correcting his meanness

but his lack of guile.

And you did this all to seem 

nicer than you really are.

In the silent five minutes left 

before you reach the tennis court,

you realize your legacy will be total. 

Your son inherits not just your sense of humor

or your fluid single-handed backhand

but your vanity, pettiness, and spite.

He doesn’t just see you as you present yourself,

or as you conceive of yourself

but as you are. 

And all those not so comic foibles

will become part of him too. 

His words, your words, echo in your thoughts

for five long minutes and then a lifetime more

as you gaze vacantly through the windshield

at all that is before you in time

looking into the future,

the harshest kind of mirror. 

Check out all the work in the Collection: Occasional Verse

Racists of America Club Note #18: An Attempt At An Essay

Title: Recovering from Racism
My proposal is that we start working on racism using a recovery paradigm. The kind used to fight physiologically deep problems like alcoholism. I don’t think racism has the same physiological basis but is culturally very deep. Not only is it deep like alcoholism. There is an incredible amount of guilt, shame, and denial surrounding both the term racist and alcoholic. What I love about programs like AA is first owning the problem. Everyone gets up and says ‘My name is <blank> and I’m an alcoholic’. This seems so simple but is actually quite hard. Many in recovery have been in denial for years with both themselves and those that love them. They have given all kinds of qualifications. You have probably heard a million of these excuses. I drink a lot, but I’m not a drunk. I like to have fun. It isn’t affecting my job. I drink but it is definitely under control. You get the idea. And just like with racism, there is usually someone to point at that has a bigger problem than you, which is why you never start working on your problem. Saying you’re an alcoholic in AA is not meant to make all drinking problems seem like they have the same severity. It is the acknowledgement of a common struggle. A recognition of the struggle and therefore the ability to improve.

Check out other work in the Racists of America series here.

Strange Faces Other Minds 14: Eric with the Light Brown Hair

I have no idea where I found this poem. If anyone knows the poet, let me know. I would love to read more of this poet’s work.

Eric with the Light Brown Hair

I have no horse! I have no horse! 

cries Eric sitting on the porch 

of the Twin Maples Retirement Home 

and it’s a fine spring day, 

I am walking to the playground 

when I stop to hear this, 

the most profound moment our town 

has seen since the ice-cream truck 

adopted a rendition of Stephen Foster’s 

Oh! Susanna

the profundity of which should be apparent 

to all those who linger in blissful repose 

over the sad lives of great forgotten men 

I have no horse! I have no horse! 

Eric behaves as one does 

after a beheadment 

and I love the ology of it 

and the ism of his cry 

I love the ology of clouds 

and the ism of rain too 

but not as specifically as 

I love Eric, who seeks his red rose 

in the fume of the moment 

his mouth oily and explosive, 

wide open, waiting for someone 

to throw a few peanuts in 

God has made some pretty weird comments 

in his time, about the nature of human 

life and all of that, naturally 

they are profound 

but somehow they seem like a morbid imitation 

compared to Eric’s 

and even if he goes back centuries 

every time he gets stewed

like the wildflowers who wither on the shore 

far from our native glen 

I sigh for Eric, who I unanswered, 

I sigh for Eric who once had light brown hair. 

as I swing 

floating like a vapor 

on the soft-spoken air

Check out other work in the Strange Faces Other Minds series here.

Occasional Verse 7: My Son Fishes Coins Out of the Fountain at the Mall

My eight year-old son can’t believe his luck.
That there are just 
“all of these coins left in this fountain.”
He easily fishes them out.
He’s recently become curious about money
and where it comes from. 
I’m afraid this is sending him
the wrong message.
I’m also worried about all those wishes.
Will they still come true?
I feel silly for even thinking that.
I would feel really silly 
saying that to my son, 
who might think, as it now stands,
that one obtains money from fountains.

I am desperate for one of those signs
that are on some fountains that say
these coins are collected for charity.
Then I could tell my son to leave the coins
for the kids with glaucoma or something.

My son is really raking it in at this point. 
His wet little hands filled with lucre.
People are starting to look.
Other kids are getting curious.
There might be a run forming on this fountain.
All I can think to tell my son
is that we have to be somewhere.

Later at home we count the money–
“Count de Monet!”
Nothing.
He’s too young for Mel Brooks jokes.
Three dollars in change.
Not bad, my little capitalist.
He is now asking for a water feature 
in front of our house. 
I didn’t expect that.
I try to explain that nobody 
would make wishes in our fountain.
He wants to know why the mall fountain 
is better for wishing 
than a fountain in our yard, 
to which 
I have nothing to say.

Check out all the work in the Collection: Occasional Verse

The 17/18 Poems 36: Kelly

I hear Kelly, I do Kelly

not so much saved 

as salvaged

until I couldn’t 

I couldn’t

just for the moment 

I’m saying

spell comfort

C-O-M-F-O-R-T

this plan is about envy

this play is about summer’s prices

a cock will burn down this city

a Minneapolis in the purple rain

we’re gussied up for the going down

I want to see Kelly

I want her to know

that hate, cold as it is

is only love’s winter

Check out other work in the 17/18 Poems series here.

Occasional Verse 6: Your Six Year-old Daughter Asks How the Penis Gets Into the Vagina

What do you say? Do you tell her?

I told her.

And now your wife

wants to know why.

So does your therapist.

Maybe it’s because you remember

the day you figured it out

in fifth grade,

a full three years before

it was revealed 

in junior high health class

by a football coach 

that said puberty 

poo-ber-dee.

You were riding your bike

home after school,

puzzling it out.

You knew that somehow

the penis had to 

get into the vagina

for babies to get made.

But it just didn’t seem possible 

that the penis, 

a squishy little piece of flesh,

could be pushed against a vagina, 

and do anything but crumple.

If only it could be made firmer,

if only it had another state.

Wait a minute, 

I stopped the bike for this.

I remembered that the penis 

almost has the desired properties

when you wake up in the morning.

What your mom sometimes calls a flagpole.

Yes, that might just work,

a flagpole penis.

Oh my God, a flagpole penis! 

If you don’t take into account my age

at that moment, 

you might be unimpressed,

but remember this was pre-poo-ber-dee.

An erection was in no way connected

to desire in my mind.

I was like a man who’d never seen water,

trying to figure out how a fish swims.

I was an anatomical engineer 

that deduced the solution from first principles.

It was my on-the-road-to-Damascus moment.

Okay, not everybody gets to be Paul.

But when the great engineer in the sky 

has called your name, 

you go out and you preach the word.

And that is why I told my daughter.

Check out all the work in the Collection: Occasional Verse

The 17/18 Poems 35: A World of Made

a world of made is not a world of born

how many rain-soaked lives must I live

this makes me pain great cause, and again, and again

in this opportunity of space, I am an asshole

an asshole deep

from the day that sex made me

from wanting the page to roar back

from the future I’ll never see

god, please grant me, not serenity

not this cleat or that clod

or the beauty of the leaden peonies

god, grant not love and good conscience

but a deeper, blacker stripe.

Check out other work in the 17/18 Poems series here.

Strange Faces Other Minds 13: Bear’s Night Letter

This Brendan Galvin poem is filled with such beautiful masculine creepery.

Dear Blank. That’s how I think of you.

Nameless as your eyes would disclose you

if I got that close.

You may have noticed me, though,

in my window above the street

where I pretend to be switching channels.

I suspect your mother suspects

I have been watching you,

and maybe she is correct to guard

her clothesline, the seven flavors

of your nighties, your pantyhose having a fling

with the breeze. If you think I am humorless

you are wrong. I see the comedy

of those popsicle-colored convertibles

you and your friends jazz around in.

I see your father’s pride

when he waters the flowers and you

practice handstands or pump your arms

and work over the grunts 

of a high-school cheer.

I’m not going to slide out of shadow

with a voice full of peanuts, Hey, Girlie,

a crank who stuffs pigeons 

into a sack. Oh, no. Secure in my creephood,

it’s enough to watch, knowing that one day

perfect teeth enter the pizza

that breaks the cartwheel’s back.

Check out other work in the Strange Faces Other Minds series here.

Occasional Verse 5: Trying to Find Your Underwear After Sex

Do I address the underwear 

or do I address you, 

now naked pair,

whose underwear disappeared

into that oblivion of bed clothes,

as if to say there is no way

to put that apple back on the tree?

Maybe there is someone approaching,

a child that needs sparing,

or a lover betrayed?

But that, of course,

only makes the underwear hide harder.

Could you close your eyes

you might be able to see yourselves

just five minutes before,

in a tangle of elbows and feet, 

pushing your underclothes 

back in time, almost to the first day.

And now the price of that pleasure 

is an eternity of search.

Nothing free in indulgence

is quite free of consequence.

Check out all the work in the Collection: Occasional Verse

Racists of America Club Note #15, attempt at an intro

(Another piece of dialogue. I’m not clear on the context.)
-You should come to a meeting.
-I’m not sure I’d know what to say.
-Just come, listen. You don’t have to speak if you don’t want to, but you probably will. I hardly ever know what I’m going to say, but once I hear other people share, something always comes up. Most of us live lives rich with shame about race.

Check out other work in the Racists of America series here.

The 17/18 Poems 35: I Miss The Future

I miss the future maybe more than the past

what was to be and now will not

tragically gliding forward and away from us

there were happier men in that future

there was justice in that future

and most of all there was great poetry

can we bring it back forward

or is it gone forever

men will never have the character and intellect

that was to be so

being of the future

this loss cannot technically be 

a fall from grace

but being so close to realization

it feels we really did lose something

and now that wisdom, gentleness, and peace

is never to be had, or almost had, again

Check out other work in the 17/18 Poems series here.

Strange Faces Other Minds 12: Parade

Right in the middle of Parade by Tony Hoagland, I ran into this.

Something weird to admire this week on TV:

the handsome face of the white supremacist on trial.

How he looks right back at the lawyers, day after day

–never objecting, never making an apology.

I look at his calm, untroubled face

and think, That motherfucker is going to die white and right,

dissappointing everyone like me

who thinks that punishment should be a kind of education.

I felt so called out on my shit, like Hoagland came to my house, punched me in the balls and left.

Check out other work in the Strange Faces Other Minds series here.

Occasional Verse 4: When Your Favorite Band Mainstreams

It’s tremendously gratifying. 

You were right.

This band is great.

But the very same moment they legitimize your taste,

they no longer serve as its marker.

You are a bit like a revolutionary

that suddenly finds himself in power.

It’s a little embarrassing.

What do you do now?

Who is left to convert?

There is no argument to make,

amazingly everyone agrees.

The only answer

is to find another backwater band

with which to bother your unlistening friends.

The guerilla needs to go back to the jungle.

If you don’t, you’ll find yourself 

saying silly things like

I liked them before this or that important concert,

waiting for your early adoption 

                              to count for something.

Check out all the work in the Collection: Occasional Verse

Racists of America Club Note #14

Yes, this is a common issue for a lot of writers, especially people newer to fiction, though we all face it. I see it with my students sometimes: they want to write the “Message Story” that feels like it has a thesis statement. They lead with it, but then remember they’re supposed to tell a story so they try to paste some one-dimensional characters and plot onto their sexy idea after the fact. -WF

Check out other work in the Racists of America series here.

Occasional Verse 3: Reading Nietzsche Before Watching It’s a Wonderful Life

These spirits do not mix.

All it took was a 30 minute dose of Nietzsche

on the herd mentality, mobbing, 

and the perversion of the ubermench’s spirit, 

to make George Bailey’s wonderful life a Greek tragedy.

Prior to this encounter, I had seen the movie

over 15 times, usually during holidays,

and it always touched me.

But this was the first time I saw 

George’s family, friends, and townspeople

ply that combination

of guilt, shame, and sex 

(not to mention some angel dust pyrotechnics)

to level George Bailey, man of talent.

And on this viewing, surprise of surprises,

Mr. Potter turns out to be the only man

trying to save poor George,

even if it is

only out of self interest.

And all those gut-wrenching moments 

coming so close to escaping:

the board meeting,

the bank run,

the train station with Harry,

the call from Sam Wainwright,

(if that idiot can make it anyone can).

If only Ernie the cabbie

would just chloroform Georgie-boy.

Just so he could get out of his own way 

for a half an hour. 

The real dagger in the soul is the end

when he’s wet, disheveled 

with tinsel matted on his head, 

looking out as an imbecile on all proceedings,

as he is made

to feel grateful for it all.

Check out all the work in the Collection: Occasional Verse

Racists of America Club Note #13

I lost a coat as a kid when we were staying in a hotel in the southwest. I’d been playing with another kid staying there on the hotel’s sportcourt. The boy was Mexican. When the coat went missing my dad asked me where I thought it was. I told him the Mexican boy probably stole it. My dad called me on that assumption immediately and that same day he found my coat in the hotel’s lost and found. My dad bringing it to me mentioned it was probably the boy that turned it in.

Check out other work in the Racists of America series here.

Racists of America Club Note #12

(an attempt at dialogue, I’m viewing this as the founder being interviewed by a reporter)
-How do you try to “escape” racism?
-Mostly by talking. We each share a little something. It could be something going on at the moment. It could be something from the past that a person is working through. The important part is that it’s not judged. Each person says what’s in their heart. They learn to trust the group. One guy has a black guy at work he’s having problems with. One girl has a story from when she was ten years old that she is still ashamed of.  

Check out other work in the Racists of America series here.

Occasional Verse 2: Driving the Wrong Way Down a One Way Street

You entered the do not enter

and there is no way out but through.

You will learn that the usually effective

embarrassed/apologetic wave has its limits.

Even the church-going mother

in the hatchback

taking her children to school 

can be seen muttering

a few non-biblical epithets

under her breath.

Her stare is enough to wish for the end times.

You have screwed this up for everyone

and will have to keep screwing

because backing up is worse than continuing.

You can only manage your level of wrong here.

Driving the wrong way down a one way street is like

putting a roasted potato in your mouth

at a dinner party that is way too hot

but you can’t spit it out.

So take the honking,

take the shrugs,

take the fingers.

This is an exercise in humility.

It is spiritually cleansing.

Remember Elliot’s words

Nothing dies harder than

the desire to think well of self

and know that today,

if just for a little while,

you killed it.

Check out all the work in the Collection: Occasional Verse

Racists of America Club Note #11 (a cry for help)

I have a question about the Racists of America Club. I’ve been working on it like I said. I seem to have gotten into it by opening it as an interview. Right now it doesn’t have the bite of a real story though. It is more akin to one of the Socratic dialogues in Plato in which the star is the idea less than the characters discussing the idea. I think one of the problems of the story for me is that I actually believe in the idea too much. It is not like a real interrogation. I’m too one-sided about it. Have you ever had this problem writing a story? Maybe I should be writing an essay instead? Help! -BW

Check out other work in the Racists of America series here.

Occasional Verse 1: Arguing About Whether You are Arguing

You are discussing a movie with your wife.

Talk has circled around various interpretations,

and now you find yourself debating, rather vigorously, 

whether you agree with each other. 

You maintain that with minor exceptions you do.

Your wife is quite certain that you don’t.

Don’t be surprised. 

For if there is an acorn through which 

to glimpse the forest of marriage, 

it must be the argument about whether you are arguing.

And so, here we have

in this discourse 

the inability of two to be one,

coupled with the relentless determination

that quite simply two equals one.

It’s a very real physical impossibility, 

a duality of states

as in superposition

not as one, not as two

but, for lack of a better term,

a one / not one.

Racists of America Club Note #10

Talking to a reporter:
So this is my point, there are a lot of people out there that are a little racist, but don’t think of themselves as racist. In fact, my guess is most of the racism in America is of this sort. There are very few people that even in private conceive of themselves as racists. I would also guess given that our difficult 400 years of race relations that nobody has been untouched by that history. Struggling with race is in our cultural DNA. Calling somebody a racist is basically calling them American.

Check out other work in the Racists of America series here.

The 17/18 Poems 30: Willow Said to Be Weeping

willow said to be weeping
joy said to be mocking
hope said to be thin
and the cargo was not slaves

this is the verbal energy
that surrounds the contemplation
of difficult (I mean ravenous) things

a bit daring I do say,
unlovely hand,
you are the subject given over
just like the dead
and in such quantities,
such well-meaning forevers

Check out other work in the 17/18 Poems series here.

Strange Faces Other Minds 7: Presque Isle

In every life, there’s a moment or two.
In every life, a room somewhere, by the sea or in the mountains.

On the table, a dish of apricots. Pits in a white ashtray.

Like all images, these were the conditions of a pact:
on your cheek, tremor of sunlight,
my finger pressing your lips.
The walls blue-white; paint from the low bureau flaking a little.

That room must still exist, on the fourth floor,
with a small balcony overlooking the ocean.
A square white room, the top sheet pulled back over the edge of the bed.
It hasn’t dissolved back into nothing, into reality.
Through the open window, sea air, smelling of iodine.

Early morning: a man calling a small boy back from the water.
That small boy–he would be twenty now.

Around your face, rushes of damp hair, streaked with auburn.
Muslin, flicker of silver. Heavy jar filled with white peonies.

Every time I read this it takes me to my room somewhere. I first experienced this poem on the page. I wish I could find a recording of Gluck reading it.

Check out other work in the Strange Faces Other Minds series here.

Strange Faces Other Minds 6: Somebody in a Bar

This is a great example of how lightning can strike anywhere. I photo copied this page from a book of poems in the library. I didn’t like any of the other poems. I don’t even like this poem, but the second stanza by itself is probably the best thing I’ve read all year. It kills me every time I read it. I tried to track down who wrote it, but wasn’t able to. If anyone reads and recognizes it, please let me know.

Somebody in a Bar

Racists of America Club Note #9

The reason I can’t write the story is that I believe in the idea too much. It would be the same as writing one dimensional characters that are surrogates for pure good or evil. I don’t have the ability to interrogate the idea.

Check out other work in the Racists of America series here.

Strange Faces Other Minds 5: Birdseed

Robert Saunders was a good friend. He passed away 10 years ago and I still miss him. It is hard to know if I’d like this poem as much if I didn’t know him personally. It definitely reminds me about what I loved so much being around him. I guess it doesn’t really matter though, if you love a poem, you love a poem.

Birdseed

I planted birdseed
But no birds grew;
I watered the plot
While over it flew
Other birds, who
Were unaware
Of what I thought
Was growing there.

The 17/18 Poems 29: Stubbornly Former

by this kind
he means cancer
the prospect he attaches to firmly
narrative abusing time…again
he is the tom of love now
all windows
in the mood to be forgotten
while others discuss
bribes and blandishments
instead of the love
they are too afraid to want
let the heaven we inherit approach
out of the deep business of some dream,
that heaven so stubbornly former

Check out other work in the 17/18 Poems series here.